It takes a whole team to indie publish a book!

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Even when you indie publish, it’s not something you do entirely alone.

My fifth novel, In a Manhattan Minute, was published on Thursday 20th October. I have been indie publishing my novels for a while now, but contrary to what many people think, it’s not just me sitting in a room until the final novel is finished and then pressing a button. Don’t get me wrong, there’s a lot of sitting at a desk and getting those words written, but once the first draft is finished and I’ve been through the book at least another three, four or sometimes five times to edit it myself, it’s time to involve a few other people.

Usually, by the time I’ve gone through my novel that many times I can’t even look at it and I need to take a step back. Most writers will tell you this works very well and I usually take a step back after my first edit. But then the real letting go comes when I send it for the substantive round of edits.

Substantive edits are thorough. They look at how the story works as a whole, taking into account the plot, pacing and structure. It’s scary to get the substantive report back because it’s usually several pages long, in addition to comments throughout the manuscript. To manage the substantive edits, I take a deep breath, then separate the report into manageable chunks.  I also cross out sections once I’ve been through the entire manuscript to ensure they’ve been dealt with, and it’s quite satisfying!

Once the substantive stage is finished, the manuscript is returned to the editor and it’s time for the copyedits. I find this stage much less scary. Copyedits are a lot more specific. So, for example, does your character sit down for breakfast and then on the next page clear the table after finishing their lunch? Or do they have blonde hair at the start but then all of a sudden their hair is described as ebony?

Following the copyedits and my subsequent changes, it’s time to use the services of a proofreader. I like to use someone different to who I used for the editing, because it’s a fresh set of eyes on your manuscript. This is the least painful stage because by now the big issues have been ironed out and the story is almost ready. The proofreader will particularly focus on grammar and spelling but they will also spot any inconsistencies you may have missed. When the book is 70k plus, mistakes are easy to overlook.

When the proofed manuscript is returned, I make changes and then go through yet again to check. Next, I pass my manuscript to my husband. I either print a paperback proof or put the book onto my kindle for this. He’s a great final proofreader because he’s not afraid to tell me if there are any mistakes! And again, it’s a fresh pair of eyes. Once he’s checked and I’ve made any necessary changes, I go through yet again and then it’s time to load the manuscript up onto KDP.

During the editing and proofreading stages, I usually get in touch with my cover designer and we discuss my requirements for the book. I may find examples of styles I like, or I may want the cover to tie in with a particular theme. Once we’ve discussed the brief, my cover designer will send me about half a dozen visuals. Usually there’s something there that I either really like, or that we can tweak. It may be a case of taking a font from one, an image from another and putting those onto something new. It takes a few goes back and forth but I end up with a cover I love.

When it’s time to publish, I use Amazon’s KDP. It’s pretty straightforward, especially once you’ve published a few books. You can also read through on the screen again which I usually do, and it’s particularly good to check the layout. I make sure chapter headings are centred, there are no mysterious blank pages, and the cover is as it should be.

I usually multitask too. So right now I’m working on promoting In a Manhattan Minute, I have another Christmas book with my editor for the substantive stage, I’m writing book seven, and I’m thinking about what I’ll do for book eight. It’s hard work but I absolutely love it and couldn’t imagine doing anything else.

It’s so important, if you’re self publishing, to take the time to get each stage of the process right. It does cost, but it’s an investment and good edits, proofreading and book covers will last a lifetime. By investing in each stage it will also help you to produce a book that is just as professional as those titles produced by a big publisher. And it will give you the best chance of success and great sales.

I hope you enjoyed the blog post…if you’d like to sign up for my newsletter, I have an exclusive giveaway coming in mid-November!

Helen J Rolfe x

 

 

 

In a Manhattan Minute

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In a Manhattan Minute… everything can change.

And there have been a few changes over the last couple of months. My first bit of news is that my new novel, In a Manhattan Minute is available for pre-order from Amazon now!

I loved writing this book because it was a leap in setting for me. When I read I love to travel to different parts of the globe and with this story, as the title suggests, I have been living in the world of New York City. And what a lot of fun it has been!

Here’s the blurb…

Jack exists in a world that has seen its fair share of tragedy, but also success and the wealth that comes with it. One snowy night, he crosses paths with Evie, a homeless girl, and it changes everything.

Three years on, Evie’s life is very different. She’s the assistant to a prestigious wedding gown designer, she’s settled in Manhattan, has her own apartment and friendships she holds dear. But the past is lurking in the background, threatening to spoil everything, and it’s catching up with her.

Kent has kept a family secret for two decades, a secret he never wanted to share with his son, Jack. And even though she doesn’t realise it yet, his life is inextricably tangled with Nicole’s, the woman who was his housekeeper for thirteen years and the woman who helped Evie turn her life around.

It’s Christmas and a time for forgiveness, love and Happy Ever Afters. And when the snow starts to fall, the truth could finally bring everyone the gift of happiness they’re looking for.

***

I loved being in New York City so much that I’m busy penning another novel set in the same place and plans are underway to release this towards the end of the year.

In other news, The Friendship Tree has been given a makeover with a brand new cover and is currently on special normal-jpeg-for-website-use-etcoffer at 99p for a limited time.

Wishing all our readers a wonderful September and look forward to hearing from you soon.

Helen J Rolfe x

 

A Bright New Start for Beltane by Alys West

downloadFor as long as I’ve wanted to write I’d hoped to one day sign with a literary agent.  And then I did and it was nothing like I’d imagined.  Possibly as a result of reading too many books set in the 1930s, I had this idea of literary agents as fatherly figures or blue-stockinged, strong minded ladies who maybe smoked too many cigarettes or took too many long lunches but knew the publishing industry inside and out.  I thought they’d pick up my book and guide it, with a firm hand, out into the world.  Perhaps that’d involve wining and dining the right editor, or shaking the right hand at a book fair, but sooner or later I’d have a book deal on the table.

Only it didn’t work out like that.  I got a series of very polite rejections for the most baffling variety of reasons.  One editor loved this about it but not that, the next turned it down because they enjoyed the rest of it, but hated what the first editor had loved.  At the end of that my confidence, which is never high, had taken a total battering and whatever belief I’d had in Beltane had pretty much disappeared.  And my faith in my agent was being shaken at the same time.  They made promises they didn’t fulfill, often didn’t reply to emails until they’d been chased and, hardest to forgive, turned down two offers from publishers in the US without discussing them with me first.

Then last autumn my agent suggested that I publish Beltane through Amazon’s White Glove programme.  White Glove is only available to people who have an agent and, I was told, is like an enhanced form of KDP and would allow access to Kindle Monthly Deals.  Once I got started with it there was little evidence of the additional marketing support that I’d been promised.  It turned out that Amazon had changed their rules, since we’d originally talked about it in the autumn, and books could only be nominated for Kindle Monthly Deals quarterly and I’d have to wait until the end of March to be nominated for spring promotions.  But before that the price had to remain above £1.99 and it wasn’t possible to run any other promotions.  Anyone who has self-published will be aware of how hard it is to generate interest in a debut. Being unable to drop the price below £1.99 it felt next to impossible, no matter how great my reviews were or how much time I spent on Twitter.

It took something else to happen for me to leave but the end result of all of this is that my agent and I have now parted company and I’ve been trying to re-orientate myself in a new world.  I’m now with Fabrian Books. It’s lovely to be part of a small team but retain control of the way my book is sold and marketed.

Beltane new ebook coverNow I’ve arrived here, I’m wondering if it’s where I should have been all along.  I’ve tried to play by the rules, doing things the traditional, approved way and it’s not worked.  Perhaps I’m not cut out for dealing with the world of traditional publishing.  What I’ve seen of it so far has not exactly impressed me. Coming from the certainties of the world of law it’s pretty hard for me to understand that everyone in publishing seems to be desperately searching for the holy grail of the next big thing, but can’t actually tell you what it is they’re looking for.

Watching someone mismanage your book is a very painful process.  I never want to go through that again, so does that mean I’m now indie for life?  I don’t know.  I guess I need to try it and see.  I felt really fed up earlier this week about it not working out with my agent, about the time wasted and the opportunities I could have taken if I’d not been locked into this route that was supposed to be the best one for publication.  Thanks to the support of the other Write Romantics and an exercise at my yoga class about being upside down and looking at things that way (try it sometime, it really helps!) I’ve now been able to see that maybe I needed to try the agent route to find out that it wasn’t right for me.

Because of all of this, I’ve read Beltane again for the first time in about 2 years.  What really hit me this time is that it’s a book about outsiders.  Maybe it’s right that it’s now truly independently published.

Has your route to publication not worked out at all as you’d expected?  If you’re happy to share them, I’d love to hear about your experiences.

Beltane is now published by Fabrian Books and is available here and is only 99p until the Summer Solstice on 20th June.

Happy 3rd Birthday to us!

1st April is a special day for the Write Romantics. It’s our 3rd birthday!

When Jo Bartlett and I ‘met’ virtually through the Romantic Novelists’ Association and came up with the idea of blogging together, we were two unpublished writers who weren’t even ready to submit our manuscripts. We realised quite quickly that we were going to struggle to post regularly about our ‘not quite ready to explore being published’ status, so we invited a few more RNA members to join in. The Write Romantics grew from two to ten, dipped down to nine for a while, then went back up to ten again.

One of the fascinating aspects of this group of female writers (other than the fact that we have never all been in the same place at the same time (except virtually) and therefore haven’t all physically met yet), is that we were nearly all aspiring writers when we joined forces. Only one of the group had a publishing deal. Move forward three years and it’s a very different picture.

We thought this would be the perfect opportunity for the Write Romantics to tell you about their last three years.

Jessica xx

book14Jo Bartlett

Three years ago, I was unpublished and dreaming of one day walking into a bookshop and seeing my name on the cover of a novel on sale there. I’d just finished my debut novel and was sending it out to publishers… Fast forward three years and my novel, Among a Thousand Stars, has now been out for nine months with So Vain Books and I have my coveted paperback! I’ve also had two pocket novels published by DC Thomson, so I got to see my name on a book in WHSmiths on several occasions. Both novels were picked up by Ulverscroft, a third pocket novel has just gone in to DC Thomson and I have also had a short story published with them in The People’s Friend. In the second half of last year, I signed a women’s fiction four book deal with Accent Press, the first two books will be coming out in 2016 and the second two next year. AATS CoverIn October, I finished second in the WHSmiths/Kobo/Harlequin romance writing competition and I am currently working with an editor at the world’s most famous romance publishing house on something that will be a significant departure for me and hence is being written under another name. Most of this has happened in the past twelve months and I definitely don’t appreciate how far I’ve come in three years for the vast majority of the time. Seeing it all written down like this makes a big difference though and, for once, I feel like there’s something to celebrate. The WRs birthday is the perfect excuse!

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100% genuine *cough*

Sharon Booth

Gosh! Three years ago I wasn’t part of the Write Romantics. In fact, I hadn’t heard of them (sorry!) I started writing my first full-length novel in November of that year, for NaNoWriMo. I met Jessica and Alys in June of 2014, having connected with Alys on Romna, as we were members of the Romantic Novelists’ Association New Writers’ Scheme. I had a half-baked, patchwork story called Angel in the Marble, and was convinced it was rubbish. Jessica and Alys persuaded me to work on it and submit it to the RNA. I did, and got very positive and encouraging feedback. That September, I was invited to join the Write Romantics This Other Eden ebook cover V4 (1)(yay!) and in November, we released a charity anthology, Winter Tales, which included my short story, The Other Side of Christmas. I got Angel in the Marble edited and proofread, changed its name to There Must Be An Angel, and it was published in March 2015. Now I’m on the brink of publishing my third full-length novel, This Other Eden, having also had a pocket novel published by DC Thomson, and another short story in print, this time for The People’s Friend. Things really started to happen for me when I met the Write Romantics, so I’m very grateful to be part of this lovely group.

Jackie Ladbury

conf 2014 12In April 2013 I was faffing around with at least three half written books on the go. I now have three fully written books and am still faffing around! Have decided to pitch three novels as airline series and am finally getting my act together with A Plan! (I think!) Was shortlisted for a Mills and Boon first chapter competition and that complete novel is now part of The Plan. Am considering self-publishing another novel, but thinking about it makes me want to have a lie down, or take to the bottle. Could do that in reverse order I suppose!

my pic for blog postDeirdre Palmer

When we began, I was in the midst of submitting my novel, Remarkable Things, which has themes of motherhood, family relationships and later-life love. More revisions and another year on, I finally secured that elusive FINAL FINAL COVER with taglinecontract, and the book was published by Crooked Cat. Meanwhile, I’d written a 1960s’ comedy drama called Dirty Weekend, which Crooked Cat also published, a few months after the first. An excellent year! Now I’ve just finished another novel and started on another, the sequel to Dirty Weekend. Looking back, I’m very happy with what I’ve achieved in the last three years 🙂

 

DSCN1701Lynne Pardoe

I had barely started my first novel three years ago when my mum became ill. Stuck for things to speak about mum and I talked about my plot, the more it took shape, the quicker I wrote it! That was eventually sold to D.C.Thompson and it came out in January 2015 as ‘Made for Each Other.’ Since then I self published ‘Please Adopt Me‘ on Amazon at first. Now I’m just waiting for my second to be edited and am well into my third! I’m loving having a cottage industry all to myself and so are my readers, judging by the quantity of good reviews I have!! 🙂

helen phiferHelen Phifer

Three years ago I’d been offered my first two book contract with Carina and I was busy working on the rewrites for my debut novel The Ghost House. Which was to be published in October. Now I’m in the middle of writing my sixth Annie Graham novel. Book five The Girls in the Woods was published in January and I have a paperback of The Ghost House on my shelf, plus I have a standalone horror story that will be published by Carina in September and Annie book six will be published around December 2016. I’m in the process of something very exciting for next year which will take me in a whole different direction as I’m working on a brand new crime series. Which I’ll share with you once it’s all finalised. All in all, I’m one very busy, extremely happy writer.

 

_MG_4982Jessica Redland

‪In April 2013, I was working on my debut novel, Searching for Steven. It had gone through the RNA’s NWS once and I was preparing to put it through the NWS for a second time later that year because I’d made significant changes to it. The idea of becoming published was a distant dream. Eighteen months later, I received two publishing deals and decided to go with a new UK-based publisher Screenshot 2015-12-16 18.08.14called So Vain Books. In June 2015, Searching for Steven was released. It’s the first book in a trilogy of romantic comedies with deeper issues set in a fictional North Yorkshire seaside town called Whitsborough Bay. The follow up, Getting Over Gary, was released last month
and the final part of the trilogy will be out in August this year. I’ve also released a novella, Raving About Rhys, which is set in the same town but with a different cast of characters. I have a deadline for submission of book 3 in about six weeks’ time then I get to write something new which is incredibly exciting. It’s been an amazing few years. Eek! Dreams really can come true 🙂

 

Author photo - Helen J RolfeHelen J Rolfe

Three years ago, I was getting ready to send my second attempt at a novel to the RNA NWS. As I was living in Australia this was always interesting at a cost of more than a hundred dollars plus an anxious wait to find out whether it had arrived in the UK safely. But it was so worth it! ‪Three years on and that novel, The Friendship Tree, was the first of three I have had published. I went on to indie publish Handle Me with Care and What Rosie Found Next  and I have another two novels already in the pipeline. ‪It’s been an interesting and busy time but a lot of fun. I’ve learnt so much about writing and the publishing industry and I’m hoping the next three years bring just as much success for all The Write Romantics!

CoverTheFriendshipTree

Handle Me with Care final front cover - for KDPWhat Rosie Found Next - bookcover - KDP version

 

 

 

 

 

photo (10)Rachael Thomas

In April 2013 I had just had my latest rejection and as usual was gutted. After the customary sulk, I began work on my next book, which I submitted to Harlequin’s So You Think You Can Write competition in September 2013. That book made it to the Top 10 at the end of the year and Christmas 2013 saw me working on revisions which I submitted early in 2014 and within two weeks, I The Sheikh's Last Mistress-UK covergot ‘the call’. My debut, A Deal Before the Altar was published by Harlequin Mills and Boon in October 2014. Now three years on from the launch of The Write Romantics blog my sixth book, The Sheikh’s Last Mistress is about to be released. What is even more special, is that this book is a rewrite of the one rejected in April 2013, which just goes to show, nothing you write is ever wasted. Happy Birthday everyone!

Alys West Christmas 2015Alys West

Three years ago, I was working on the first book of an urban fantasy trilogy, Beltane. My dream was to secure an agent and I was thrilled in summer 2014 to be invited to London to meet an agent who wanted to represent me! Since then, Beltane has been published and I’ve been working on the rest of the series. I’ve also discovered a new passion for steampunk and wrote a story called The Dirigible King’s Daughter which I released on Wattpad. It’s been fascinating reading feedback from those who’ve followed the release of each chapter. The Dirigible King’s Daughter will be available on Amazon in the early summer. My novel writing is taking a bit of a back seat at the Beltane finalmoment because I’m studying towards a Masters in Creative Writing, but I’ll be back to it very soon.

 

We hope you’ve enjoyed our round-up of the last three years. If you’re just starting your writing journey, or you’re submitting and dealing with rejections at the moment, please keep on believing in your work because, as you can see from our summaries, dreams really do come true xxx

 

 

 

 

 

A Kentish Accent – aka the Mega Monday Announcement

© Mamz

© Mamz

I’ve never thought of myself as having an accent. Maybe no-one does but, coming from Kent, I certainly don’t have the instantly recognisable nuances in dialect that some of my fellow WRs who hail from Yorkshire do. Similarly, if you hear a Geordie speak, someone from the Valleys or a soft Irish brogue you can immediately hazard a guess as to where the speaker’s roots are. I love accents, although my attempts at impersonating them are worse than the  accent of the policeman in ‘Allo, ‘Allo – Good Moaning! If you come from Kent, depending on how posh you are, your accent is probably going to be almost indistinguishable from your Essex, Sussex, Surrey or London neighbours.

© Michel Paller

© Michel Paller

Nonetheless Kent does have its own distinctions – from our vineyards to our oyster beds, to the best weather that the UK has to offer – it’s a county that’s just as unique as any other. We also like to claim Charles Dickens as our own. Although he was born in Portsea Island (Hampshire) he moved to Kent at the age of four, and towns from Rochester to Broadstairs proudly display plaques which state that “Chas was ‘ere”. Well not quite but, like I say, us Kentish maids and maids of Kent (it matters which side of the River Medway you were born on, by the way), can be mistaken for cockneys in the right light.

© Julie Heslington

© Julie Heslington

But what have a long dead, but brilliant, writer and my lack of a discernible accent got to do with my big announcement? Well Dickens, and Broadstairs itself, were the inspirations for my Christmas novella last year. I self published ‘The Gift of Christmas Yet to Come’, to help raise my writing profile above the white noise, prior to release of my first novel with So Vain Books. The novella is set in a fictional town, St Nicholas Bay, loosely based on Broadstairs, where rumour has it that Dickens penned A Christmas Carol. I’ve had a fantastic experience with So Vain Books, but I knew my next novel wouldn’t fit their glam brief, and so I started to think about which publishers I might try for the next step in my writing career. Since I still had the rights to the novella, there was nothing stopping me from submitting that, as well as the next novel I’d finished in draft and, being too impatient to try for an agent, there was one publisher I really hoped would accept my submission…

I’m delighted to say I’ve now got my longed for accent, a four book deal with Accent Press that is. I’ll be releasing four related stories (two novels and two novellas), all set in St Nicholas Bay – a place I can’t wait to revisit – and all with the theme of motherhood that comes about in an unexpected way. The first book will be released in the summer of 2016 and then at six-monthly intervals. I signed the contract on Friday morning and that’s got to be a good enough end to anyone’s week, hasn’t it?

© Alamar

© Alamar

Only it didn’t quite stop there. Just before three o’clock on Friday, I got a completely unexpected email. I’d entered a writing contest from my holiday balcony back in July, whilst the rest of the family slept in late every morning, but I didn’t think I stood a chance and, since the shortlist was originally due to be announced in August, I pushed my disappointment at not hearing anything to one side; especially since the offer from Accent had arrived in between. I never win anything, so what did I expect? My usual prize winning standard is an out-of-date tin of Smart Price carrots in a Harvest Festival raffle and I kid you not!

I looked at the email, though, and wondered why an editor from one of the ‘big four’ publishing houses, who I’d pitched my first book to at an RNA conference two years earlier, was emailing me. Maybe she wanted to be interviewed on the blog and, thinking what a great idea that would be, I eagerly opened her email. Except she wasn’t writing to ask for a guest spot, she was writing to tell me that I’d made the top ten shortlist of that writing competition, which I’d entered under a new pen name.  Unfortunately, I can’t say anymore than that yet, as the shortlist was due to appear on social media today but, at the time of publishing this post, Couple enjoying Sunsetit hasn’t yet been released.  What I would say is that if you’ve entered competitions before and started to wonder if it’s worthwhile, then keep going.  The old adage is certainly true for me – the more I practice, the luckier I seem to get!

So how does a girl from Kent celebrate such good news? Well I’d like to say that I enjoyed Whitstable oysters and a good vintage from the Chapel Down Winery in Tenterden, but in truth it was a pizza with the kids, and a bottle of champagne, that had been languishing in the back of the cupboard since New Year, with my husband. Not Kentish maybe, and definitely not posh, but it’ll do for me!

Jo xx

Self publish and be damned!

I know the argument over whether to self publish or not has almost been flogged to death but it’s one of those things that I haven’t taken much notice of until I decided I might go down that route. I had a look on Kindle Direct Publishing today and although initially it made my eyes cross, it didn’t actually look too hard to manage after a bit of concentrating!
So one hurdle down, how many more to go, and is it a good alternative for someone who hasn’t yet cracked a publishing deal? I have recently had two near misses and a handful of praise from the few publishers I sent my manuscript to, so next on my list was to pay for a structural edit to see where I was going wrong.
So it has started. I am paying proper money in my mission to get one of my novels out to a wider audience. If I decide to self-publish, I will then have to pay for a proofread and a cover. Other miscellaneous costs will be necessary on the way such as paying for promotion and an IBSN number if I want to sell paper books as well as eBooks.
The upside of self-publishing – better royalties, immediacy of publishing, being able to design your own cover and set your own price, has been well documented. However, having paid more attention than usual to recent publishing deals of acquaintances, I discover that there do seem to be more pro’s than cons.
Of course the biggest upside of bagging a traditional deal has always been, for most writers, the kudos of having a publisher put their faith in your book. Other writers get this, but the average reader with a kindle would never notice who published your book and if they did look they probably wouldn’t be much the wiser. And even the big publishers, who have the opportunity to sell your book to a wider audience, often e publish a book first and wait and see if it sells enough to merit a paperback print. CreateSpace can do this with print on demand (and they do a very good job) so that’s hardly a bonus, anymore.
Do I really want to give a publisher most of the profits on a work that has taken a year to write, just for the credibility and possibly a bit more promotion than I could do myself? Promotion is quite a big consideration if you have no fan base, but once again publishers expect you to do practically all of the marketing of your book yourself. Advances are almost a thing of the past and the publisher mostly has full control over price, cover and content. Some don’t even proof-read your book before they publish it and they still take a huge cut, in some cases as much as ninety per cent of the profits.
And yet… and yet… I still yearn to have one of my novels published by a ‘proper’ publisher.
I guess the answer is to keep going until I have enough of a platform to decide which one suits me best. Who knows, I could do both and be in a win/win situation. For the moment though, neither have happened, but to misquote a far better writer than I will ever be, in the future, ‘The odds may ever be in my favour.’
Jackie x

A Little Bit Of Writers Heaven

This week I’d like to welcome Deborah Dooley to our blog. Deb’s a long standing and very prolific journalist, specialising in health and women’s issues. I had the good fortune to meet Deb years ago when I lived near her in Devon and she was very helpful in getting me set up as a writer, and I also enjoyed some of her legendary hospitality and home cooking. Some time ago she turned her beautiful and very welcoming home into what I suspect is a little bit of heaven on earth for writers and she tells us about it below.

‘First of all, thank you to Lynne for inviting me onto the blogIMG_0326[1]. It’s not easy, this writing lark. Talent is useful, but the ability to become a proficient writer can be learned. Determination, however, along with tenacity, a willingness to put the hours in – and remain ever open to learning, are essential qualities. Support and encouragement can also provide a massive leg up for a writer of any kind, at any stage of their career. And it was this last which provided us with inspiration, when we were looking for a way in which to boost our income.

Following the departure of our children from the nest, we had four spare bedrooms.  After working from home as a freelance journalist for twenty years, I knew that a combination of tranquillity and low level buzz provide perfect writing conditions. Both are evident in the small and picturesque village in Sheepwash in Devon, in which we live. So what, I pondered, if we kitted out our spare rooms with desks and kettles and invited writers – of all kinds – to come and write?

It took less time than the pondering to embark upon said kitting out and show the walls of our thatched and cob house a fresh lick of white paint. Some white bed linen and white towels and robes completed a look and feel that’s comfortable but spartan enough not to interfere with the creative process – and a month later, Retreats for You was in business. Six years on, we have welcomed every possible kind of writer. Poets, novelists, playwrights, screenwriters, writers for children, academics – published and unpublished – all have arrived, quickly settled in and achieved a huge amount during their stay with us.

IMG_0325[1] I think reasons for this are that we provide full board and unlimited tea coffee etc. (and homemade snacks), which enables guests to concentrate fully on the job in hand. Nobody is allowed to cook, clear away or do chores of any kind. Bob and I enjoy having people in the house and we have, I think, created an informal and relaxed atmosphere. We all eat together, but if someone is tired or busy writing, we are happy to bring a tray to their room. Guests are free to write in their rooms or anywhere else in the house (by the fire is nice – and can fuel the muse) and may help themselves to banana bread, flapjacks etc, from the kitchen, between meals. Wine time is at 6pm. This is a popular time of day, as you might imagine and can provide a kind of beacon at the end of the working day. (Wine is included in the price and not rationed.) And finally, there is a work ethos in the house during the day. I am in my study a lot of the time, doing my own work and Bob, who is a joiner/carpenter is in his workshop. The house is often so quiet that you can hear the tapping of a keyboard, which is often enough to encourage even the IMG_0297[1]most reluctant writer to get on and write.

Urban fantasy writer Alys West stayed earlier this year and has this to say, “it speaks for itself that of the people I met when I was there, three of them had been at least once before and two of those had stayed many times and were planning to come back as soon as they could.”

Running Retreats for You is exciting, fun, occasionally challenging – and immensely rewarding. I’ve learned a lot from writers who visit and I like to think that I’ve passed on some of my own expertise to novice writers. It’s a huge privilege to help facilitate the work of so many different and varied writers. The job satisfaction involved is immense, because I know (they tell us constantly) that we are making a difference to them and their writing.
And that’s a wonderful feeling.’ It does look very special doesn’t it? I love the bookshelves below, housing books by guests. Thank you for showing us your beautiful house Deb, I’m sure you’ll see more of us in the future. www.retreatsforyou.co.ukIMG_0324[1]

Dealing with Rejection by Alys

I got two rejections last week.  One of the upsides of having an agent is that those emails don’t come directly to me anymore.  But one of the downsides is that my agent seems to store them up and I tend to hear about two at a time which is a real double whammy.  I also get more feedback these days as the editors give at least a line or two about the book, giving a couple of positives before they get to the reason why they turned it down.

Doubt Kills More Dreams

I thought the feedback would be a good thing, give me an idea of what I need to work on in my writing.  But they’re so contradictory that I don’t know what to take from them.  One of this week’s rejections said they didn’t like Maeve, the antagonist, whereas an editor who turned me down before Christmas said Maeve was a great character.  It’s making me realise how hugely subjective the whole thing is.  What one editor loves, another says doesn’t work for them.  And what should I take from the comment that ‘they didn’t sufficiently connect with the heroine’?  Is that in my writing or is it just a personal reaction? I can think of dozens of books where I didn’t love the heroine but I still enjoyed the book.  Do editors need to feel a deep personal connection with all the characters to take a book on?

I’m getting better with rejections though.  These two made me mutter and moan for about half an hour whereas when I first started submitting rejections could knock me back for days.  Of course, it helps if there’s a few positives in there as well.  One of these said that Beltane was ‘crisply written’ which took some of the sting out of it.

I asked the other Write Romantics if they’d had any really positive rejections.  Jessica got a reply from an agent that said:

‘There’s an awful lot I like about it.  However I am afraid in the current tough market I do have to be completely bowled over by something to take it on….I’m sorry that it’s been a near miss for me.”

rejection

Jo received this lovely rejection from a publisher:

‘As we are finding the market so competitive at the moment, we will unfortunately have to pass on the book, but personally I think you have great potential and would encourage you to keep going as you have qualities we have previously seen in other newbie authors who have made it big.’ 

Both Jessica and Jo said that these emails kept them going through the dark days of other less tactful rejections.

And we’ve had some of those.  Helen R received:

‘Sorry but this market has collapsed and I don’t think we could find a publisher for this.’

Fortunately she can laugh about it now (particularly as Crooked Cat are publishing her novel next month) but it must have hurt at the time.  My worst one was from a very well-known agent who gave me the standard two line rejection and then tried to sell me her book on understanding the publishing industry.

photo (5)

I know rejections are part of the process and if I talk to non-writers about it they always quote J K Rowling.  Everyone forgets how many times she was rejected (apparently it was twelve which doesn’t seem that many to me anymore!) but it’s become urban myth that she was knocked back a lot.  Margaret Mitchell got 38 rejections before she found a publisher for Gone with the Wind and Beatrix Potter was rejected so many times she decided to self-publish The Tale of Peter Rabbit and look how well that worked out!  Louise M Alcott was told not to give up teaching and it took Agatha Christie 5 years to land a publishing deal.

So if you’re feeling down about a rejections try to remember that you’re in really great company.  Pretty much every writer I can think of, other than PD James and Georgette Heyer, have been turned down.  Which just goes to show that editors are as prone to mistakes as the rest of us.  Except perhaps the editor who told Dan Brown’s agent ‘it’s so badly written’; he might just have had a point!

If you’ve had any particularly unhelpful or really positive rejections then we’d love to hear about them.  You can leave us a comment by clicking where it says ‘Leave a comment’ or ‘comments’ in teeny, tiny type below.

Our round-up of 2014 and there’s so much to say that we have to do it in 2 parts … Part II

Welcome back! We hope you enjoyed reading about what 2014 has meant for Helen R, Deirdre, Rachael, Jo and Jackie. It’s time to hear from the remaining five …

cropped-sharon-booth-writerSharon Booth:

I can’t pinpoint my greatest writing achievement this year – I have four. I finally – after three years – finished There Must Be An Angel and sent it out into the world. Secondly, I found a publisher! Fabrian Books will publish Angel in March 2015.

angel coverI achieved a long-held ambition and became a published author when my short story, The Other Side of Christmas, appeared in the Winter Tales anthology. That was a very proud moment, especially when my copy of the paperback arrived in the post and I saw my name on those pages. What a thrill! And finally, I wrote my second novel. Which leads me onto…

My greatest writing challenge was probably writing that second novel. After spending three years working on Angel, I was very daunted about starting all over again. Could I do it? What if I only had one book in me? I was nervous, and even though I thought I had a great leading character and a germ of an idea for a story I wasn’t sure I could pull it off. To start with, it was pretty difficult and I was in a bit of a state for a while thinking that I simply couldn’t manage to write another novel. I was a bit gloomy about it for far too long. Then I just started writing and suddenly the words were flowing. I finished A Kiss from a Rose surprisingly quickly (it will be published in September 2015), and I’m very proud of it. I really love my hero and heroine and I hope readers will, too. Now I just have to tackle my doubts about book three!

photo 3 (2)Becoming a Write Romantic this year has meant everything to me. I’ve been writing on my own for so long and having a support network of nine other writers who understand what you’re going through – all your doubts and insecurities – is amazing. They’re a fun group too, and we have lots of laughs together. If someone needs advice or information there’s always at least one of us who knows how to help. I’ve loved working with them on Winter Tales and I think being part of the group has helped to raise my profile, and introduce me to a wider circle of friends.

2015 is going to be a busy year, because I’m having two books published so there will be a lot of work to do. I’m really looking forward to it, although I’m a bit nervous. Actually, I’m a LOT nervous, but I expect most writers are when their work is finally about to be read by other people. I’m also going to be slogging away at book three, and I think that will be my major challenge for the coming year. What if I can’t do it again? What if I only have two books in me? Hmm, talk about déjà vu! Happy New Year! 🙂

LynneLynne Pardoe:

My greatest writing achievement this year has undoubtedly been the acceptance of my pocket novel by D.C.Thomson. It started as a story that I began and developed by chatting to my mum when she was poorly. At first I thought it would simply entertain us through the many dark days at mum’s bedside, but over time I thought maybe it would make a good story. So I wrote it up. Then a blog post landed in my inbox, ‘D.C.Thomson are looking for pocket novels,’ it said, ‘post them to this address.’

So I did. And within ten days I got an acceptance! I’m yet to see the published thing; that’s out next month. It will bear both my mother’s name and mine and I already have plans to get the cover printed and framed to give mum for her 86th birthday in February. She says she never expected to have her name on a book at her age, which is so sweet, she is thrilled.

Seeing my own story with my own and mother’s name on the cover is the perfect start to my writing year. I only hope for more of the same whilst continuing to work on my social work novels. None of that would have been possible, or at least a lot more difficult, if it hadn’t been for the wonderful help of my fellow Write Romantics. Writing is a lonely business and the path to publication fraught with highs and lows and many times i’d have given up but for the support of my fellow Romantics.

Thanks girls and bring on 2015!

Alys WestAlys West:

1. My greatest writing achievement this year has to be signing with A for Authors. Getting an agent was like a dream come true and made me believe I might actually be half-way competent at this writing business. This is me signing the contract. Although what I failed to appreciate in the excitement of signing was that after that there’d be an awful lot more waiting to hear about submissions and more rejections but from bigger publishers this time. I’m not moaning here (in case that sounds like a whinge) it just took me a while to get my head around what it actually means to be represented.

A close second has to be publication of Winter Tales. There’s been some amazing moments like when my order of paperbacks arrived, when we got the first reviews on Amazon and were high in the Amazon rankings. But the best bit has been how proud my parents have been. My Mum gets quite emotional about it which, as we’re a fairly undemonstrative family, means an awful lot.

photo2. Lughnasa, my second novel, has definitely been my biggest writing challenge this year. I wanted it to be different from Beltane but within the same world of magic that I’d created. A sensible person would have learned from the challenges of writing about Glastonbury (where Beltane is set) and chosen somewhere closer to home for my second book. But not me! Lughnasa is set in Orkney which is twice as far from Yorkshire than Glastonbury and far more difficult to get to. The plot is quite complex and I always knew that’d be a challenge. What I’d not anticipated is that my characters would take control and leave me wondering what’s going to happen next. Have I overcome the challenges of this book? I’m not sure yet. I’m about two thirds of the way through so I’ll let you know when I get to the end and my beta-readers have had a look at it.

3. The Write Romantics have meant more to me this year than I can possibly say! From fashion advice when I was worried about what to wear for my first meeting with my agent to finding the positives in rejections to moral support when life in general is hard they’re the best group of people you could ever hope to meet. It’s fabulous to be part of such an amazing team and I know I couldn’t do this writing lark without them.

4. For 2015 I need to learn greater amounts of patience. Writers need a Zen type ability to accept endless amounts of waiting and as I’ve never been a patient person this is hard for me. Obviously I hope that my agents will find a publisher for Beltane, I want to finish Lughnasa in the first half of next year and go back to Orkney on a research trip. After that, I guess I’ll be thinking about book 3 which is a trifle terrifying at this point as I still don’t really know how the trilogy will end!

1185224_10200753042177469_1584659865_nHelen Phifer:

My greatest writing achievement this year is a tough one for me because I have managed to fill so many of my writing dreams in such a short space of time that it’s hard to choose. I don’t actually know how it happened but I’m so grateful that it did. I managed to knock my all time hero Stephen King off the Contemporary Horror Charts not just once but several times and for weeks at a time with my debut novel The Ghost House. That was a surreal moment for me, to see my book cover nestled in-between Dr. Sleep and The Shining, it was what my publishers aptly named a Stephen King sandwich and what I had been dreaming about the past eight years.

My greatest writing challenge was actually writing another two books and a short story in the space of twelve months. The books were on tight deadlines for my publishers and I was terrified that I wouldn’t make them. I’m pleased to say that I did somehow, I think the most important thing was to make myself sit down and write the first draft of the story without thinking about it too much. The biggest challenge out of them all was the short story; I’m not very good at writing them and it was a real test to see if I could come up with something that was good enough to be published.

ghosthouseBeing a Write Romantic was the key thing for me. The support I get off my amazing friends is one in a million. They have stopped me from losing the plot on more than one occasion, it’s been wonderful to be able to have such a wealth of talented writers to help me should I need some advice at the end of my fingertips. I am truly blessed to know such amazing ladies and I’m forever in their debt. Being a part of this group has kept me sane, I’ve laughed, cried and being overjoyed at their ups and downs and I wouldn’t change them for the world.

My writing hope for 2015 is to see The Ghost House released in paperback at the end of January and to actually hold a copy in my hands. I think that until I actually get to sniff the pages of my own book I still won’t believe that I wrote it. That is the biggest dream of all for me. I plan to have book 4 finished by the middle of January, then I want to concentrate on a stand alone scary novel I’ve been rewriting and self publish it. Then by August I have to hand book 5 over to my amazing editor Lucy at Carina. That will be the end of my current contract with them so it will be interesting to see if they want any more Annie Graham novels.

10527383_331005803724929_5378621437399779308_nJessica Redland:

My greatest writing achievement has definitely been securing a three-book deal with So Vain Books for my Whitsborough Bay Trilogy. I’d been planning to go indie because I found the waiting for news far too difficult. I could cope with rejections as it was news; I couldn’t cope with waiting for 9-10 months, constantly wondering. Searching for Steven was in with a final few publishers and I wasn’t expecting positive news so a publishing deal quickly followed by another were unexpected and extremely gratifying.

This two-deal situation was actually one of my greatest writing challenges. It’s a happy dilemma to have but a dilemma nonetheless because the offers were very different – established US-based company, eBook only, better royalties v new UK-based company, eBook and paperback, lower royalties – so I wasn’t comparing like for like. In the end, I went with my heart which was telling me that So Vain Books were right for me. It helped that Jo had already accepted a contract with them a few months earlier and I’d seen how well they’d been treating her.

P1050693Like so many of my other WRs, I’ve suffered the grips of self-doubt too. I submitted novel 2, Getting Over Gary, to the NWS and had a very luke-warm review. My reader kept saying there were loads of positives about it … yet somehow failed to include them in the report. The doubts crept in that maybe I was a one-book wonder. The euphoria of a publishing deal pushed these aside but then they returned a month or so ago. I’ve signed a deal on the basis of them only reading one book but what if they hated the other two and agreed that I only had it in me to write one book?

This is where the value of being part of a writing group like The Write Romantics pays absolute dividends. I’m fortunate enough to live reasonably close to Sharon and Alys and we meet up every few months for tea and cake. They were able to reassure me that I did have what it takes and that part of a publishing deal is a good editor who will direct me towards any flaws and help me polish it to the standard of Steven. Good point; well made. The other WRs have been a great support on this too.

As for next year, I need to slap myself about a bit with a piece of wet haddock and stop being so doubtful of my ability to spin a good yarn. I need to stop procrastinating and just write. I have about a third of book 3, Discovering David, to finish in first draft and I’d like to have that done by end of February. Then I need to edit Gary again and David. I’d like to do that before Steven comes out in June. Not sure if that’s realistic but you have to aim high!

The Write Romantics would like to wish everyone a Happy New Year. Thank you for reading our blog this year, whether you’re a regular reader, dip in and out occasionally, or have just discovered this site for the first time today.

Anthology coverThank you to everyone who has contributed to, bought, and/or promoted Winter Tales: Stories to Warm Your Heart. It’s still available in eBook and paperback format via Amazon (just click on the title for a direct link) and all proceeds are split between Cystic Fibrosis Trust and Teenage Cancer Trust. Don’t be too concerned that it’s full of Christmas stories and Christmas has passed. It’s a mix of Christmas, New Year and winter so there’s still plenty of winter months left to cosy up and enjoy it. Or buy it ready for next Christmas!

“See” you next year!

Jessica and The Write Romantics xx

conf 2014 10

Lizzie Lamb on teamwork, the glass ceiling, and that Waterstones event!

Today on the blog we’re talking to the fabulous Lizzie Lamb. Lizzie is a truly inspirational character – a fantastic writer and a whizz at social networking and marketing, as well as being a genuinely lovely lady. As part of the New Romantics Press (formerly the New Romantics 4), Lizzie has recently flown the flag for indie writers everywhere by hosting an author event at Waterstones, Kensington, no less! We were thrilled when she agreed to appear on our blog and had a lot of questions we wanted to put to her. So without further ado, over to Lizzie.blog3

1. Tell us more about the New Romantics Press. How did you meet? What made you form an “indie powerhouse” together?

Originally, three of us: Mags Cullingford, June Kearns and I were members of Leicester Writers’ Club and the Romantic Novelists’ Association New Writers’ Scheme. Adrienne Vaughan joined the RNA, came along to one of the chapter meetings which June and I organised at Grange Farm in Oadby. The rest – as they say, is history. As members of the NWS we were constantly polishing and re-polishing the first three chapters of our novels and synopsis with a view to sending them out to agents. Amanda Grange (RNA chapter member and author of over 25 novels) advised us to grasp the nettle and self-publish through Amazon. This we did. I think we work well as a team because we bring different strengths and skills to the group; we are also good friends which helps – but we don’t live in each other’s pockets which probably helps, too.

2. Did you seek a more traditional publishing deal or has it been indie all the way for you?

In the 1980’s I was looking for an agent and did in fact have one – Dot Lumley. Unfortunately, I couldn’t give my writing the time it deserved. I was Deputy Head teacher of a large primary school and that took up all my time. So, we parted company (amicably) and I settled down to furthering my teaching career for the next 16 years. Now, I enjoy being an indie author and I don’t know if I would be willing to give that up unless I could find an agent/publisher who could offer me a really good deal. Maybe after I’ve finished and published number three in 2015 I might think again about it.

blog43. We’re thrilled to hear about your Waterstones news. Tell us more!

Adrienne and I attended a book launch at Waterstones, Kensington, in the summer and boldly asked if we could host an author event there. The lovely manager said: YES. I think it was probably the appeal of four indie authors appearing together and offering four different sub-genres of romance which landed us the gig. I write rom coms, Adrienne romantic adventure, June historical and Mags women’s fiction. But, who knows? I think he just liked the cut of our collective jib, okayed it with head office and on we went. We’d already had a mini-launch in Waterstones, Mkt Harborough, in February 2014 and were on ‘the system’, which helped. We believe that they are no longer adding new indie authors to their data base – but I stand to be corrected on that one.

4. What have you been able to do/experience differently as an indie writer that you may not have done/experienced through a traditional publishing deal?

We can choose our own covers, set our own price (and raise and lower it) as we wish and as our book sales fluctuate. I have been able to order paperback copies through Create Space as I see fit, whereas some of the agents I’ve spoken to have said the POD would be up to my publisher to decide. I don’t simply want my novels to be available for e-readers, having paperbacks is important to me as I sell them at talks etc which I give to writing groups. And, with Create Space you can order one book or one hundred – it’s that flexible.
We can also say, no – we don’t want to give our books away for free, thank you, as a promotional tool. Or to settle for 35% royalties (or less) when we can get 70% off Amazon. We can also write the book we want with the characters we believe in; I’m not sure how easy it would be handing over my novel and being told to edit it to suit the market/ an agent/editor without any guarantees that the changes would make a better book, or sell more copies. I respond to what my readers tell me that they like about my novels. I also know, to the day, how many books I’ve sold, what I’ve earned and where the sales need boosting – thanks to Amazon’s daily sales figures. I don’t think I’d like to have to wait for quarterly sales figures from my publisher. I can also make the most of Kindle Countdown, Kindle Lending Library and Kindle Unlimited because I’ve stayed exclusively with Amazon. Lots of writers would disagree, but KDP Select works for me. Now – if I could just get a WHITE GLOVE DEAL, I’d be in clover.

5. Conversely, is there anything you haven’t been able to do/experience as an indie writer compared to traditional publishing?

There is a definite ‘glass ceiling’ which is hard to break through. For example, getting my novel into bookshops and libraries (those that are left!), although Waterstones, Kensington, has agreed to take three of each of my novels to see how things go – and have kindly agreed to put my books out on their Romance Table. It would be nice to be reviewed in some of the women’s magazines and to be offered a Kindle Daily Deal with the weight of Amazon behind me. But those things seem to be offered almost exclusively via one’s publisher. I would also like to graduate from the RNA’s New Writers’ Scheme and become a full member, albeit it a self-published one. But I don’t know how much longer I’m prepared to wait for that to happen. I heavily promote my novels across all media sites and I gather that traditionally published authors are expected to do that in any case. Oh, and, an advance would be nice – thank you very much.
Establishing myself as an indie author has been quite expensive. Some of this cost could have been borne by my publishers – proof reading, formatting for kindle, buying images and producing a front cover and so on. All of the above are allowable expenses against earnings, of course, but you need a pot of money to get you started.

6. As a collective of ten, The Write Romantics find the support we can give each other absolutely invaluable. What value have you found in being part of a group of writers?

Help is just a phone call away. Literally. Adrienne and I talk most nights after she’s finished work, June and I meet regularly for coffee, chat daily over the phone and read our work out to each other and Mags is always on hand to give another perspective to my ideas for taking the group forward. Being a ‘collective’ also means we can ‘divi’ up the jobs, blog posts, promo and so on and spread the workload around a bit. When I lose belief in what I’m doing, I know I can call on ‘the team’ to give me the support I need to keep going. We also have four of us finding out new things about the self-publishing industry and sharing them with each other. Having a ‘tweet team’ helps enormously, too. Going it alone is do-able, but so much more hard work than being part of a team.

7. What does a “typical” day look like for you? (E.g. do you always write in a morning, say, or only check social media at certain times of the day?)

I am one of those annoying people – a LARK. I’m usually at my pc straight after breakfast when I check all the social sites I belong to and comment. Then, after my husband (aka Bongo Man) tells me how many sales I’ve clocked up overnight, I tailor my tweets, blog posts accordingly. I write throughout the day in ‘snatches’, to give my eyes a break from the screen. I very rarely write in the evenings, preferring to watch movies and to recharge my batteries. We have recently bought a second hand caravan and hope to do it up a bit over the winter and then take off into sunset next spring. I always take my trusty pc with me wherever I go as I find if I don’t write for a week, getting back into the novel is hard for me. When in the caravan I generally check emails in the morning and respond, have the day exploring the location where we’ve camped, and then write in the afternoons while Bongo Man and the parrot (yes, he comes with us) chill out at the other end of the caravan. Does the snoring annoy me? Oh yes!

8. Is there a pivotal moment when you can say that you truly felt you were a writer?

I was having coffee with June and Amanda Grange in a local café when Bongo Man joined us with the proof copy of Tall, Dark and Kilted, which had just arrived. My hands were shaking as I couldn’t believe that my book was finally in my sticky little hands. Magic. When I wrote and published my first blog post, joined the Society of Authors and people started asking me for writing advice were pivotal moments, too. I would have to say that our Author Event in Waterstones in November was the icing on the cake for all of us.blog1

9. What’s been your greatest reader interaction moment and why?

It has to be the email I received from a reader in ISTANBUL. She’d read Tall, Dark and Kilted and had cried so much at the end that her husband thought she’d received bad news over the phone. I hope to publish the email in full one day on my blog. I think the other ‘moment’ is when the most unlikely people tell me they’ve downloaded, read and loved my book. By unlikely I mean people who I would never have dreamed would read romance, let alone my novels. I am also quite overwhelmed by the love and support I receive from the ladies I’ve befriended on Facebook. They buy my novels, leave me reviews on Amazon and spread the word amongst their friends. The best kind of social networking IMHO.

10. What challenges have you faced as an English woman writing about Scotland and Scottish characters?

I’ve been giving this one some thought. I was born in Scotland and lived there until I was eleven. My family are Scots and I’ve been surrounded by ‘Scottishness’ all my life. If you are English and want to write about Scotland the best thing is to GO THERE. Although, conversely, Diane Gabadon who writes the Outlander series and D.K. Broster who wrote the Jacobite trilogy The Flight of the Heron etc had never visited Scotland before they wrote their novels. Immerse yourself in Scottish history, movies and read Scottish themed novels by other authors to get a feel of what feels real for you. Scout charity bookshops and purchase large picture books of Scotland and thumb through those for inspiration. Use Google Earth to inform what you write about the landscape and the weather. Be aware of the difference between those Scots who live in the Central Belt and those who live in the Highlands and Islands, their accents are different as is their outlook on life and how they speak. I like to include some Scottish Gaelic phrase in my writing and am lucky enough to have a native Gaelic speaker who helps me with this. Always double check your research if you’re weaving Scottish history into your novel. I’ll give you an example of this: I read a Scottish themed novel recently where the author referred to the hero’s sporran as his codpiece (!) and her copy editor/ publishers hadn’t picked up on it. Hoots Mon!

11. What does the future hold for you and for the New Romantics Press?
My ambition is to write six novels. Three set in Scotland and three set in Norfolk. Then I will market them as box sets. Once I have three novels under my belt with attendant sales figures, I might think of approaching some of the larger literary agencies to see what they can offer me, and take it from there. As for the NRP – originally, we all published our novels at the same time and held joint book launches, but we all work at different paces and that is becoming increasingly difficult to maintain. We will continue to support each other and to promote ourselves as the New Romantics Press because we think that more accurately reflects who we are and where we are headed. Whatever happens, we will always be there for each other and our friendship and support for each other will continue.

Lots of writerly support!

Lots of writerly support!

12. What advice would you give to any writers out there considering an indie route?

Think carefully before you set out on this journey. If, as a writer, all you want is a copy of your novel to pass round your friends and relatives, that’s achievable with a little help and lots of hard work. HOWEVER, if you want to make a career of it – be prepared for a hard slog: promoting your current novel(s) and writing THE NEXT ONE. I try to aim for a novel a year, allowing for health and family commitments. In many ways, I’ve been lucky – I had all my social networking ducks in a row before I published so I was able to promote myself and the other New Romantics – if you are doing that from a standing start it can be quite overwhelming. Meet with other writers, learn from them but, ultimately, know who you are and what you want to write. Glue your derriere to the chair and get on with it.

 

 

 

Thank you so much for talking to us today, Lizzie! The Write Romantics are great admirers of The New Romantics Press and we wish all four of you continued success.

 

 

Boot Camp Bride – Romance and Intrigue on the Norfolk marshes – November 2013
http://t.co/0WkwlH8bgg
UK: http://tinyurl.com/bootcampbride
USA: http://tinyurl.com/nnmzjha
Tall, Dark and Kilted – Notting Hill Meets Monarch of the Glen – 2012
http://t.co/xj2T54mE6j
UK- http://tinyurl.com/o9js6pl
USA – http://tinyurl.com/o4vor4z
https://www.amazon.com/author/lizzielamb
http://tinyurl.com/TallDark-Kilted
Hocus Pocus 14 short story anthology
http://tinyurl.com/Hocus-Pocus14
Lizzie’s Links
Amazon page: http://tinyurl.com/mpcv6bn
http://www.facebook.com/LizzieLambwriter
http://www.facebook.com/newromantics4
lizzielambwriter@gmail.com
website: http://www.lizzielamb.co.uk
blog: http://www.newromantics4.com
Linked in: uk.linkedin.com/pub/lizzie-lamb/18/194/202/
Goodreads http://tinyurl.com/cbla48d
Pinterest: http://www.pinterest.com/lizzielamb/
twitter: @lizzie_lamb twitter: @newromantics4